Just this past week, my band, the Felus Cremins Band, released our latest album. It’s called American Romantic Music, and you can stream it right here, or check it out on our Bandcamp page.
To mark the occasion, I asked my bandmate and partner Brian Cremins to join me to chat specifically about the making of the title track, the song “American Romantic Music.”
Rather than slogging through a whole boring track-by-track rundown of the entire album, I thought it might be instructive to focus just on this one song. I think the process by which it came to be written and recorded is particularly illustrative of the way that we collaborate.
In addition to our chat, you’ll also get to hear how the song progressed from its first demo to its first live performance to the final recorded version that’s the heart of the new album.
Many of you will be familiar with Brian’s work as a writer and scholar, but he is equally insightful about listening to, writing, and playing music. So I really think you’re going to be delighted by our conversation here.
Brian first started playing guitar when he was 16, and he joined his first bands while attending Dartmouth College in the ’90s. Some of the most memorable of these bands were The Frost Heaves, Hamlet Machine, and Wonderland Accident.
While in grad school at the University of Connecticut, he played guitar and sang in the rock trio The Confessors. They played all over the East Coast at notable venues including CBGBs, TT the Bear’s, and Toad’s Place, and lots of other clubs that have been turned into parking lots since then.
In Chicago, he’s played with and written songs for the bands Ten Hundred, Short Punks in Love, Tiny Magnets, and Pet Theories.
Though primarily self-taught, Brian has been studying jazz guitar with John Moulder for the past four years, and is currently also learning to play the oud.
You can stream the episode right here, on Anchor.fm, or on the podcast service of your choice.
Our producer, Rosie the cat.
The garage that I got towed to was Marvin’s Auto Service. At the time, they were located on Belmont Avenue, just off Ravenwood. They’re currently located at 3020 West Irving Park.
The track listing for the mix CD I received from Marvin’s Auto Service is as follows; you can stream my re-creation of the mix on Mixcloud:
- “Who’ll Stop the Rain”–Creedence Clearwater Revival
- “More than a Woman”–Bee Gees
- “I Started a Joke”–Bee Gees
- “Crimson and Clover”–Tommy James and the Shondells
- “How Deep Is Your Love”–Bee Gees
- “A Horse with No Name”–America
- “We Belong Together”–Ritche Valens
- “Hard to Say I’m Sorry”–Chicago
- “Night Fever”–Bee Gees
My blog post from April 2018 telling the story of my car breakdown and getting towed to Marvin’s can be read by clicking here.
The Sherry Theater is located at 11052 Magnolia Blvd in North Hollywood, California.
Our show at the Sherry Theater happened on January 4, 2019. You can watch footage from the show on YouTube here.
You can explore the show notes and listen to my interview with artist Gene Kannenberg Jr. here.
Find out more about Tris Carpenter at his website Duke Plays Bass.
You can stream and/or purchase Music for Qodèxx on Bandcamp here. Or, read my “Qodèxx Recording Diary” behind-the-scenes blog post here.
Lawrence Kim most recently played with the band Scam Avenue.
The self-titled Pet Theories album is available on Bandcamp here.
Listen to the song “Hall Street” on Bandcamp.
The store where Karen Carpenter supposedly took some of her early drum lessons is Banko’s in Ansonia, Connecticut.
Listen to the song “Dear Mr. Strummer” on Bandcamp.
Listen to the song “King of New Britain” on Bandcamp.
Find out more about the jazz guitarist John Moulder on his own website here.
The Electro-Harmonix Pitch Fork pedal that Moulder uses.
The Digitech Whammy Pedal that Brian uses.
Weather Report, “Birdland.”
The Uncut Gems original motion picture soundtrack by Daniel Lopatin.
Read more about Wendy Carlos on her website here.
Here’s a version of John Moulder playing “Autumn Leaves” (but without the Pitch Fork pedal).
Natalie Imbruglia, “Torn.”
Our show at the L’arc en Ciel Theatre Groups at Great Oaks Banquet Hall in Cedar Lake, Indiana happened on Saturday, May 18, 2019. You can watch footage from the show on YouTube here.
Scam Avenue’s video for their song “Jailbird.”
If you were on Twitter the day that the 2019 Oscar nominations were announced, you may have noticed a little viral excitement about an alternate set of awards called the Elsie’s.
16 year old actress Elsie Fisher, who’s probably best known for her starring role in the 2018 film Eighth Grade, took to Twitter to declare that, “I’ve decided to start my own film awards because sometimes other ones suck, so here are the nominations for the first annual Elsie Awards.”
And from there she proceeded to announce her nominations for the typical categories like Best Actress and Best Director, as well as innovations like Best Horror Feature, Best Young Performer, and Best Independent Feature.
Her nominations referenced films with impeccable cool cred–like The Lighthouse, The Farewell, Hustlers, and Us–and sought to implicitly critique the lack of diversity among the actual Oscar nominations.
I think I first saw the thread when comedian Patton Oswalt tweeted about it, but there were a bunch of articles posted about it within the day on sites like Teen Vogue and Indiewire praising Fisher for her good taste, inclusivity, and plucky ingenuity for taking matters into her hands.
However, to a select handful of people, this whole idea of the Elsie’s sounded strangely familiar.
See, there’s another individually produced, underground movie awards ceremony that’s been around for nearly 30 years now, and that’s the Nick Movie Awards.
Established in 1992 by Nick Ivankovic, the Nick Movie Awards began as a way for Nick to honor his favorite films and performances each year. In the years since, the Nick Movie Awards have grown from a literal bedroom project to an annual event that has included parties, trivia, viewer’s choice categories, online voting, and even its own signature menu items.
Nick grew up in Schererville, Indiana, and attended Butler University as an Accounting major. He’s been a finance professional for 20 years and is currently based in Los Angeles, California.
I asked him to join the show this week to talk through the history of the NMAs (as they’re affectionately known) and to give a more in-depth glimpse into his nominations for the 2019 movie year.
You can stream the episode above here, on Anchor.fm, or on the podcast service of your choice.
Here’s Entertainment Weekly‘s predictions for who would win at the 64th annual Academy Awards.
Here’s the list of actual winners for the 64th annual Academy Awards.
The Age of Innocence was honored at the 66th annual Academy Awards in 1994 with five nominations (Best Costume Design, Best Supporting Actress, Best Adapted Screenplay, Best Original Score, and Best Art Direction).
Here’s a recipe for fruit pizza.
The New York Times: Mel Gibson Pleads No Contest to D.U.I. and Gets Probation (August 18, 2006)
Andy Goldsworthy is an English artist who makes site-specific pieces that are often ephemeral and made with sticks, stones, leaves, and flower petals. There are two wonderful documentaries about his work, Rivers and Tides and Leaning into the Wind.